New collection launch - Windrush inspired by William Morris | Willy Morris Home Emporium
The 'Windrush Pattern' by William Morris & Co. is a quintessential example of Morris’s design philosophy, blending organic, natural motifs with intricate craftsmanship that reflects his deep admiration for nature and a desire to create art that was both beautiful and practical. The pattern, which is part of the broader Arts and Crafts movement, stands out for its graceful depiction of flora and fauna, offering a timeless aesthetic that has continued to captivate design enthusiasts for over a century.
Available in the Willy Morris Home Emporium in two beautiful collection Windrush (Brook) and Windrush (Path)
First created in 1887, the Windrush pattern was named after the River Windrush in Oxfordshire, England, a location that holds personal significance for Morris and his design collaborators. Like many of Morris's patterns, the design is inspired by the natural world, with its winding vines, flourishing leaves, and subtle floral forms. The design, which features sinuous curves, meandering stems, and delicate blossoms, evokes a sense of the lush, untamed beauty of the countryside, bringing a sense of nature indoors.
One of the most striking features of Windrush is its dynamic composition. Unlike many floral patterns that repeat in a rigid, geometric fashion, the Windrush design is more fluid, as though the vines and flowers are growing organically across the fabric or wallpaper. This naturalistic arrangement gives the pattern an impression of movement, as though it’s alive and shifting with the seasons. The way the stems weave around one another and the leaves unfurl is a reminder of the interconnectedness of life and the beauty found in growth and change.
The palette of Windrush also reflects Morris's love for muted, earthy tones. The pattern is typically rendered in a harmonious combination of greens, browns, and deep blues, reflecting the colours found in the natural world. These colours are not bright or overpowering, but soft and calming, creating a serene and contemplative atmosphere in any space where it is used. This emphasis on subdued colours was a key characteristic of Morris's work, as he sought to create a sanctuary of beauty and peace away from the industrialised, often harsh, environments of the time.
Windrush is also notable for its relationship with Morris's political and social ideals. As an ardent socialist, Morris believed that beauty should be accessible to all and that craftsmanship should not be reserved for the elite. He was deeply concerned with the impact of industrialisation on both the environment and society, and his designs, including Windrush, were a way to bring attention to the importance of craftsmanship, nature, and the individual’s role in preserving both. By incorporating such intricate, hand-drawn designs into his products, Morris sought to elevate everyday objects, turning them into works of art that would inspire those who used them.
The Windrush pattern has remained a beloved design, not only because of its aesthetic appeal but also because it encapsulates the ethos of the Arts and Crafts movement—emphasising quality, craftsmanship, and a deep connection to the natural world. It is a celebration of the simplicity and beauty of nature, designed to enrich everyday life while reflecting Morris's broader vision of art as a tool for social change.
In today’s context, the Windrush pattern continues to be relevant, reminding us of the importance of slowing down, appreciating the natural world, and embracing the handmade in an increasingly mass-produced world. Whether it graces the walls of a home or appears on fabric, it brings a timeless beauty and sense of tranquility that resonates with modern sensibilities as much as it did with those of Morris’s time.
The 'Windrush' pattern, conceived by William Morris between 1881 and 1883, stands as a testament to his profound connection with nature and his dedication to intricate design. This pattern is part of a series inspired by the tributaries of the River Thames, reflecting Morris's deep appreciation for England's natural landscapes.
Morris's inspiration for 'Windrush' and its companion designs—such as 'Evenlode', 'Kennet', 'Wey', 'Wandle' and 'Medway' - stemmed from his frequent boating excursions along the Thames and its tributaries. These experiences not only provided him with a respite from urban life but also fuelled his creative endeavours. The 'Windrush' pattern, named after the River Windrush, a tributary of the Thames, encapsulates the serene beauty of these waterways.
The design of 'Windrush' is characterised by its complex layering of floral and foliate elements. Large peony-like blossoms dominate the pattern, intertwined with smaller flowers and scrolling foliage. This intricate composition showcases Morris's evolution from earlier, more straightforward designs to more elaborate and detailed patterns. The influence of 15th-century Italian and Near Eastern textile patterns is evident, yet Morris infuses his unique touch, creating a harmonious blend of historical inspiration and personal artistry.
Originally produced as a printed cotton fabric, 'Windrush' was crafted using traditional woodblock printing techniques at Morris & Co.'s Merton Abbey workshops. The meticulous process involved dyeing the cotton fabric and then applying the design using hand-carved wooden blocks, a method that ensured each piece was unique. The colour palettes varied, with some versions featuring shades of red on a pale red ground, while others showcased light green, gold, black, and white combinations. These variations allowed the pattern to be versatile, suitable for different interior settings and personal preferences.
The enduring appeal of 'Windrush' has led to its adaptation beyond fabric. Recognising its timeless charm, Morris & Co. reimagined the pattern for wallpaper applications. This transition from textile to wall covering involved careful consideration to maintain the design's integrity and impact. The wallpaper versions are available in rich colour palettes, including combinations like aubergine and wine, as well as gold and thyme. These adaptations ensure that 'Windrush' continues to enhance contemporary interiors, offering a touch of classic elegance.
The 'Windrush' pattern exemplifies Morris's philosophy that art should be both beautiful and functional. His commitment to craftsmanship and his reverence for nature are evident in every detail of the design. By drawing inspiration from the natural world and employing traditional production methods, Morris created a pattern that resonates with authenticity and artistry. Today, 'Windrush' remains a celebrated example of textile design, reflecting the seamless blend of nature, art, and craftsmanship that William Morris championed throughout his career.
Morris had a great affinity for the River Thames and enjoyed many boat trips on its numerous tributaries. He drew upon these frequently in his poetry such as in the introductory verses of the June stories in ‘The Earthly Paradise’: "By this sweet stream that knows not of the sea, That guesses not the city’s misery, This little stream whose hamlets scarce have names, This far-off, lonely mother of the Thames?"
Pattern Windrush
Designed by William Morris (English, 1834–1896)
Produced by Morris & Co., London (English, 1875–1940)
Merton Abbey, London (English, 1881–1940)
